The Lost Summer of Louisa May Alcott, a first novel by Kelly O'Connor McNees, reviewed by Carrie Brown (WashPost, Style, 4-28-10)

The Rock Bottom Remainders, the band of authors, on their annual tour (April 20-24, DC, Philadelphia, New York, and Boston). Read the blog. Original members were: Dave Barry,Tad Bartimus, Roy Blount, Jr., Michael Dorris, Robert Fulghum, Kathi Kamen Goldmark, Matt Groening, Josh Kelly, Stephen King, Barbara Kingsolver, Greil Marcus, Dave Marsh, Ridley Pearson, Joel Selvin, and Amy Tan.

To William Flesch, a professor of English at Brandeis University, "fictional accounts help explain how altruism evolved despite our selfish genes. Fictional heroes are what he calls 'altruistic punishers,' people who right wrongs even if they personally have nothing to gain. 'To give us an incentive to monitor and ensure cooperation, nature endows us with a pleasing sense of outrage' at cheaters, and delight when they are punished, Mr. Flesch argues. We enjoy fiction because it is teeming with altruistic punishers: Odysseus, Don Quixote, Hamlet, Hercule Poirot. 'It’s not that evolution gives us insight into fiction,' Mr. Flesch said, 'but that fiction gives us insight into evolution.'"
~ Patricia Cohen, Next Big Thing in English: Knowing They Know That You Know (NY Times 3-31-10)

"I never completely forget myself except when I'm writing and I am never more completely myself than when I am writing."
~ Flannery O'Connor

"The writer is one who, embarking upon a task, does not know what to do. The not-knowing is crucial to art, is what permits art to be made." ~Donald Barthelme

In an interview for Scholastic, Kathryn Lance once asked Isaac Asimov, "What is the purpose of science fiction?" He thought a moment, then said, "To accustom us to change."


“The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you’re rewriting a novel you will never be stuck.”
~Ernest Hemingway

“My writing is a process of rewriting, of going back and changing and filling in. In the rewriting process you discover what’s going on, and you go back and bring it up to that point. Sometimes you’ll just push through, indicate a scene or a character, leave a space, then go back later and fill it in.”
~Joan Didion

"Tell me, what is it you plan to do with your one wild and precious life?"
~ Mary Oliver

"There never was a good biography of a good novelist. There couldn't be. He is too many people, if he's any good."
~F. Scott Fitzgerald, in his notebooks

"People think that because a novel's invented, it isn't true. Exactly the reverse is the case. Biography and memoirs can never be wholly true, since they cannot include every conceivable circumstance of what happened. The novel can do that."
~Anthony Powell

"Don't tell me the moon is shining; show me the glint of light on broken glass."
~ Anton Chekhov

"Substitute ‘damn’ every time you're inclined to write ‘very’; your editor will delete it and the writing will be just as it should be."
~Mark Twain

The Carver Chronicles, D.T. Max's long, fascinating 1998 story in the NYTimes Magazine about the effect (good and bad) editor Gordon Lish had on Raymond Carver's short fiction

"The writer who survives by teaching writing may discover, however, that his teaching hurts his art. Dealing day in and day out with beginning writers, he finds himself forced continually to think in analytical fashion about problems he would normally solve in other ways. To make his student see clearly what is wrong in his or her fiction, the writer-teacher has no choice but to work in a fully conscious, intellectual way. Every writer at some point must go through an analytical period, but in time he must get his own characteristic solutions into his blood, so that when confronted by a problem in a novel he's writing he does not consult his literary background. He feels his way to the solution."
~ John Gardner

"All you need to write a ghost story is put a ghost in it. For a detective story you need a plot."
~ P.D. James

“That is happiness: to be dissolved into something completely great.”
~Willa Cather

"The mystery story is two stories in one: the story of what happened and the story of what appeared to happen."
~ Mary Roberts Rinehart


"A good science fiction story is a story with a human problem, and a human solution, which would not have happened without its science content."
~ Theodore Sturgeon

"I think a little menace is fine to have in a story. For one thing, it's good for the circulation."
~ Raymond Carver

"If my doctor told me I had only six minutes to live, I wouldn't brood. I'd type a little faster."
~ the late Isaac Asimov


"I always heard, 'Write about what you know.' I disagree. I say, write about what you love. You can always research the rest. If you're going to live with a character and a place for months on end, you'd better love them. And the passion comes through. Editors are looking for passion."
~ Stephanie Barron, author of the Jane Austen mysteries (starting with Jane and the Unpleasantness at Scargrove Manor)

"All my stories have been written with material that was gathered—no, God save us! Not gathered but absorbed—before I was fifteen years old."
~ Willa Cather

“The truth is that I do want I want to do,” novelist Walter Mosley told Clayton Moore, Mystery Strumpet on Bookslut. “If I want to write a political monograph, I write a political monograph and someone publishes it. No, it doesn’t sell like a traditional mystery, but I don’t care. I don’t write for that reason. If you want to make money, you should go into real estate, you know what I mean? If your love is writing books, that’s a passion that’s way outside of the umbrella of income.”

"It's not a good idea to try to put your wife into a novel . . . not your latest wife anyway."
~ Norman Mailer

"Perfection is finally attained, not when there is no longer anything to add, but when there is no longer anything to take away."
~Antoine de Saint-Exupéry

"The wastebasket is the writer's best friend."
~Isaac Bashevis Singer

Contemporary Latin American Short Stories, edited by Pat McNees

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Groups, sites, advice, and resources for fiction writers, fiction editors, fiction readers, and fans

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Fiction Writers
Groups, Sites, Advice, and Resources



Atwood's Rules for Writing Fiction
“You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there's no free lunch. Writing is work. It's also gambling. You don't get a pension plan. Other people can help you a bit, but ­essentially you're on your own. ­Nobody is making you do this: you chose it, so don't whine."
~ Rule 7 of Margaret Atwood's Ten Rules For Writing Fiction (part of the wonderful Guardian collection of essays by many novelists.


Dear Writer: Reasons to Love and Fear Your Copyeditor (Sally Fisher Saller, the Subversive Copy Editor, in Prime Number)

Free downloadable e-books on writing, from Michael Allen:
On the Survival of Rats in the Slush Pile by Michael Allen: http:/​/​www.kingsfieldpublications.co.uk/​rats.PDF
The Truth about Writing ("an essential handbook for novelists, playwrights, and screenwriters" by Michael Allen, free on Scribd):http:/​/​www.scribd.com/​doc/​17414179/​The-Truth-about-Writing
How to Write a Short Story That Works (by Michael Allen, via Scribd)
http:/​/​www.scribd.com/​doc/​18092726/​How-to-Write-a-Short-Story-that-Works
Discovered through John Kremer's Book Marketing Tip of the Week: http:/​/​www.bookmarket.com/​

Harlequin's foray into vanity publishing of romance novels. Paid subscribers to Publishers Lunch Deluxe got a useful summary of Harlequin's "Harlequin Horizons" self-publishing enterprise, an effort to make money from the romance writers it doesn't publish by selling them vanity publishing services. Sharp rebukes from writers and writers' organizations included an announcement from Science Fiction Writers of America (SFWA), which, concerned that the new 'self-publishing' venture's "sole purpose appears to be the enrichment of the corporate coffers at the expense of aspiring writers," declared that "NO titles from ANY Harlequin imprint will be counted as qualifying for membership in SFWA." Bestselling novelist Nora Roberts, in one of 799 responses to a story on the Smart Bitches, Trashy Books blog, wrote: "Vanity press is called vanity for a reason. You’re paying for your ego. That’s fine, dealer’s choice. But it’s a different matter when a big brand publisher uses its name and its resources to sell this as dream fulfillment, advertises it as such while trying to claim it’s not really their brand being used to make money on mss they’ve rejected as not worthy of that brand in the first place."

How to Break the Rules. Cameron McClure of the Donald Maass Literary Agency posts Kurt Vonnegut's 8 Rules of Writing and Elmore Leonard's rules, and gives examples of writers who have successfully broken some of the rules. Her blog, Book Cannibal, is about fiction.

Joyce Carol Oates (FORA.tv video of her speaking at Book Passage) about her novel The Gravedigger's Daughter, much of which is based on her grandmother, Blanche Morningstar. She speaks of setting as being almost like a character.(51 minutes)



Malice Domestic (May convention saluting the traditional, especially "cozy," mystery, where fans buy books from enthusiastic, often new, writers) and The Usual Suspects (the Malice Domestic newsletter); Malice Domestic awards.

A reader's advice to writers: A word to the novelist on how to write better books by Laura Miller (Salon.com, 2-23-10). For example: "There's a reason why Nick Carraway is the narrator of "The Great Gatsby" while Gatsby himself is the protagonist. Desire is the engine that drives both life and narrative." And: "When you hear someone complain that 'nothing happens' in a work of fiction, it's often because the central character doesn't drive the action."

Reusable cover art. Sarah Johnson's site showing how certain art gets used and reused for covers on historical novels (and Diane Ackerman's A Natural History of Love, hardcover edition). Art directors: your secret is out!

Romance Writers alert! In slow economy, romance writers steam to success. "More than 78 million Americans read at least one romance novel in 2008, according to the Romance Writers of America, up by almost 100 percent since 1998. Meanwhile, total U.S. publisher revenue was essentially flat, up just 1 percent in 2008. Nine out of 10 readers are women."~ Richard Mullins, Tampa Tribune, 8-16-09

The Stiletto Gang (blog in which mystery writers Evelyn David, Marilyn Meredith, Maggie Barbieri, Rachel Brady, Misa Ramirez, Susan McBride and guests bring mystery, humor, and high heels to the world)

Ten Rules for Writing Fiction. Inspired by Elmore Leonard's 10 Rules of Writing, the Guardian asked several authors for their personal dos and don'ts. Read what Elmore Leonard, Diana Athill, Margaret Atwood, Roddy Doyle, Helen Dunmore, Geoff Dyer, Anne Enright, Richard Ford, Jonathan Franzen, Esther Freud, Neil Gaiman, David Hare, PD James, and AL Kennedy (part 1)and Hilary Mantel, Michael Moorcock, Michael Morpurgo, Andrew Motion, Joyce Carol Oates, Annie Proulx, Philip Pullman, Ian Rankin, Will Self, Helen Simpson, Zadie Smith, Colm Tóibín, Rose Tremain, Sarah Waters, Jeanette Winterson (part 2) have to say.

Top 100 Creative Writing Blogs. BestCollegesOnline.com


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Books for Fiction Writers and Editors


Afterwords: Novelists on Their Novels by Thomas McCormack

The Art of the Novel by Milan Kundera

Aspects of the Novel by E.M. Forster

Burning Down the House: Essays on Fiction by Charles Baxter

Characters and Viewpoint (Elements of Fiction Writing) by Orson Scott Card

The Fiction Editor, The Novel, and the Novelist by Thomas McCormack

The First Five Pages: A Writer’s Guide to Staying Out of the Rejection Pile by Noah Lukeman

From Where You Dream: The Process of Writing Fiction by Robert Olen Butler (ed. Janet Burroway)

Hooked: Write Fiction That Grabs Readers at Page One & Never Lets Them Go by Les Edgerton

How to Write a Damn Good Novel by James N. Frey (especially the chapter on dialogue)

Imaginative Writing: The Elements of Craft by Janet Burroway

Narrative Design: Working with Imagination, Craft, and Form by Madison Smartt Bell

Negotiating with the Dead: A Writer on Writing by Margaret Atwood

No More Rejections: 50 Secrets to Writing a Manuscript that Sells by Alice Orr (more useful than its gimmicky title suggests)

The Novel and Short Story Writers Market by Lauren Mosko

101 Best Beginnings Every Written: A Romp Through Literary Openings For Writers And Readers and 101 Best Scenes Ever Written by Barnaby Conrad

On Becoming a Novelist by John Gardner

On Writing by Stephen King

The Passionate, Accurate Story by Carol Bly

Plot and Structure by James Scott Bell

Plotting and Writing Suspense Fiction (2nd edition) by Patricia Highsmith

Reading for the Plot: Design and Intention in Narrative by Peter Brooks

Self-Editing for Fiction Writers: How to Edit Yourself Into Print (2nd ed.) by Renni Browne and Dave King

Six Walks in the Fictional Woods, essays by Umberto Eco, author of The Name of the Rose

So, Is It Done? Navigating the Revision Process, hosted by Janet Burroway (DVD)

Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous Crew by Ursula K. Le Guin

Stein on Writing by Sol Stein

Techniques for the Selling Writer by Dwight Swain

This Year You Write Your Novel by Walter Moseley (for novice writers)

Writing Fiction: A Guide to Narrative Craft (7th ed.) by Janet Burroway

Writing the Breakout Novel and Writing the Breakout Novel Workbook by Donald Maass (how to create "a powerful sense of time and place, larger-than-life characters, a high degree of tension, good subplots, and universal themes," elements needed to take a novel to the bestseller list). See also the novelist-turned-agent's The Fire in Fiction: Passion, Purpose and Techniques to Make Your Novel Great

Writing Romance Fiction for Love and Money by Helene Schellenberg Barnhart

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"I've never thought about myself in terms of a career. ... I don't have a career, I have a typewriter."
~ Don DeLillo

"My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel - it is, above all, to make you see. That - and no more, and it is everything."
~ Joseph Conrad, preface to The Nigger of the Narcissus

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